Grainger Museum

Hoard House: News from the Grainger Museum

Newsletter  (Friends of Percy Grainger) (Friends of Percy Grainger,  Grainger Museum, vol. 1, no. 1, December 1992), continued by: In a nutshell (Friends of the Grainger Museum, vol. 1, no. 2, March  1993 to vol. 12, no. 1, March 2004). Continuation of:

The Grainger journal (Kenilworth UK: Percy Grainger Society, vol. 1, no. l, Spring 1978), continued by: Grainger Society journal

Grainger Museum Publications Page

2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2000-2004 | 1995-1999 | 1990-1994 | 1985-1989 | 1980-1984 | 1975-1979 | 1970-1974


Bellio, Natalie, Percy Grainger and new worlds of concert pianism : a study of repertoire and programming (1914-1926), Masters Thesis, Melbourne Conservatorium of Music, University of Melbourne,  2013.

Allison, Brian (ed.) and Jennifer Hill (assoc. ed.), Hoardings: exceptional, exotic and commonplace, Melbourne: University of Melbourne, 2013.
Contributors: Brian Allison, David Beauchamp, Patricia Begg, Georgina Binns, Warren Burt, Jo-Anne Cooper, Jon Drews, Kay Dreyfus, Malcolm Gillies, Percy Aldridge Grainger,Daniel Grimley, Derham Groves, Robyn Healy, Jennifer Hill, Astrid Britt Krautschneider, Roger Leong, Desmond MacAuley, Ros McMillan, Sophie Matthiesson, David Pear, Michael Piggott, John Poynter, Thérèse Radic, Chalon Ragsdale, Glenn Riddle, Julie Robinson, Kerrianne Stone, Monica Syrette, Peter Tregear, Ian Watchorn.

Collins, Sarah, The aesthetic life of Cyril Scott, Woodbridge, Suffolk: Boydell Press, 2013.


David Pear item in 'News from the collections', University of Melbourne Collections, issue 11, December 2012, pp. 54-55.

Radic, Thérèse and Suzanne Robinson (eds), Marshall-Hall's Melbourne: music, art and controversy 1891-1915,  Melbourne: Australian Scholarly Publishing, 2012.

Dodd, Andrew, Understanding John Grainger through the prism of an architectural rivalry, in Grainger Studies: An Interdisciplinary Journal, no 2, 2012.

Jackson, Paul, 'Percy Grainger's aleatoric adventures: The Rarotongan part-songs' in Grainger Studies: An Interdisciplinary Journal, no 2, 2012.

Freeman, Graham, '"Into a cocked-hat": The folk song arrangements of Percy Grainger, Cecil Sharp and Benjamin Britten' in Grainger Studies: An Interdisciplinary Journal, no 2, 2012.

Gray, Stella, 'Object of desire: Portraits of Percy Grainger from his London period' in Grainger Studies: An Interdisciplinary Journal, no 2, 2012.

Nemec, Belinda, 'Autobiographical Museums' in Museums and Biographies, Boydell Press, 2012.


Bellio, Natalie, The piano teaching of Percy Grainger at the Chicago Musical College 1919-1931, Honours Thesis, Melbourne Conservatorium of Music, University of Melbourne,  2011.

Doggett, Anne and Gwyn Gillard, See How They Ring! Travelling Bellringers on the Australasian Popular Stage, Ballarat: BHS Publishing, 2011.

Thwaites, Penelope, 'Percy Grainger, the man' keynote speech  delivered at the Percy Grainger Music Festival symposium, Tokyo,  November 2011

Ragsdale, Chalon, 'Percy Grainger's contributions to the art and  science of collecting folk song', paper delivered at the Percy Grainger  Music Festival symposium, Tokyo, November 2011

Kakinuma, Toshie, 'Percy Grainger and African American /  American Indian music', paper delivered at the Percy Grainger Music Festival symposium, Tokyo, November 2011

Krautschneider, Astrid Britt, '"Seeing things in my Australian  way":  Percy Grainger and the Grainger Museum at the University of  Melbourne', paper delivered at the Percy Grainger Music Festival symposium, Tokyo, November 2011

Stanley, Peter, 'The Grainger Museum', reCollections, vol 6, no 2, October 2011.

Bellio, Natalie, '"The Forgotten Teacher": The piano teaching of  Percy Grainger at the Chicago Musical College 1919 – 1931', paper delivered at  the Musicological Society of Australia (Victorian Chapter) conference,  University of Melbourne, August 2011

Williamson, Michael, 'Grainger does a Cakewalk: A study of  Ragtime in Europe and Percy Grainger's "In Dahomey: Cakewalk Smasher"', paper  delivered at the Musicological Society of Australia (Victorian Chapter)  conference, University of Melbourne, August 2011

Robinson, Suzanne, 'Percy Grainger and Henry Cowell:  concurrences between two "Hyper-Moderns"', in Musical Quarterly, vol 94,  no 3, 2011, pp. 278-324

Gillies, Malcolm, 'Percy Grainger: Australia's Greatest Composer?', lecture presented at Gresham College, London, Monday 11 July 2011.

Nelson, Kathleen E., 'Percy Grainger and the "'Musical Confucius"', Musicology Australia, vol. 33, no. 1, June 2011, pp. 15–27.

Gillies, Malcolm, 'Grainger, early music, democracy and freedom', Grainger Studies: An Interdisciplinary Journal, no 1, 2011, pp. 21-33.

Groves, Derham, 'Some similarities between the feng-shui of Chinese joss houses in Australia and postmodern architecture', Grainger Studies: An Interdisciplinary Journal, no 1, 2011, pp. 55-73.

Nemec, Belinda, ''Let the genius be presented whole, as life made & moulded him': The Grainger Museum at the University of Melbourne', Museums Australia Magazine, vol. 19, no. 4, May 2011, pp. 31-2.

Peoples, Sharon, 'Dress, moral reform and masculinity in Australia', Grainger Studies: An Interdisciplinary Journal, no 1, 2011, pp. 115-35.

Piggott, Michael,  'Brief biography and the "all-round man"', Grainger Studies: An Interdisciplinary Journal, no 1, 2011, pp. 5-20.

Pinner, Mark, 'Racial stereotypes as comedic mechanism: Luscombe Searelle and Walter Parke', Grainger Studies: An Interdisciplinary Journal, no 1, 2011, pp. 35-54.

Purtell, Simon, '"A souvenir of my deep interest in your future achievements": The "Melba Gift" and issues of performing pitch in early 20th-century Melbourne', Grainger Studies: An Interdisciplinary Journal, no 1, 2011, pp. 75-95.

Taplin, Peter, 'Percy Grainger's hall of mirrors', Limelight Magazine, June 2011, pp. 30-5.

Tregear, Peter, '"Nostalgia is not what it used to be": Exploring the kitsch in Grainger's music', Grainger Studies: An Interdisciplinary Journal, no 1, 2011, pp. 97-113.


Thwaites, Penelope   (ed.), The New Percy Grainger   Companion, Woodbridge, Suffolk: Boydell Press.
Contributors: Brian   Allison, Teresa Balough, Roger Covell, Kay Dreyfus, Lewis Foreman, Paul Jackson,   James Judd, James Koehne, Astrid Britt Krautschneider, Barry Peter Ould, Stewart   Manville, Murray Mclachlan, Timothy Reynish, Bruce Clunies Ross, Desmond Scott,   Peter Sculthorpe, Geoffrey Simon, Ronald Stevenson, Stephen Varcoe, David   Walker

Balough, Teresa   (ed.), Comrades in art: The   correspondence of Ronald Stevenson and Percy Grainger, 1957-61, with interviews,   essays and other writings on   Grainger by Ronald Stevenson, London: Toccata Press, 2010.

Fabrikant, Harold (ed., translator and annotator), The harmony of the soul: Sigfrid Karg-Elert's letters "to his Australian friends", Caulfield: H. Fabrikant, 2010.

Gillies, Malcolm, 'Grainger: 50 Years On', keynote   speech delivered at the 'Let Us Sit in Wait   No Longer': Future Directions in Percy Grainger Scholarship, Performance and   Interpretation symposium, University of Melbourne, 16 October   2010.

Maloney, Shane, 'Encounters: Percy Grainger and Edvard Greig', The Monthly, February 2010, p. 74.

Syrette, Monica, 'One   man's Taste: Percy Grainger's "Aims   of the Museum"', International Journal of   the Arts in Society, vol. 5,iIssue 4,   pp.191-8.


Collins, Sarah   Siobhan, The Development of Cyril   Scott's Aesthetic Thinking: An Interpretation Informed by Literary   and Biographical Sources, PhD Thesis,   School of Music, The University of Queensland, 2009.

Martin, Ruth Lee, 'Grainger's settings of the   Gaelic folk song Mo Nighean Dubh (My Dark-Haired Girl)', paper delivered   at the 32nd National Conference of the Musicological Society of Australia,   University of   Newcastle, September   2009.

Mercer, Christine, 'Henry Tate (1873–1926): 'The Australian' (1914–17)', paper delivered   at the 32nd National Conference of the Musicological Society of Australia,   University of Newcastle, September 2009.

Nemec, Belinda, 'The paradox of collecting the other:   Percy Grainger's collecting of non-western cultures'. Paper delivered at Crossing cultures: Conflict, migration,   convergence, 32nd Congress of the International Committee   of History of Art, Melbourne, 17 January 2008,   published in Jaynie Anderson (ed.), Crossing   cultures: Conflict, migration and convergence: The proceedings of the 32nd   International Congress of the History of Art, Carlton, Vic.:   Melbourne University Publishing, 2009, pp.   995–1000.

Smith, Joseph, 'Grieg,   Grainger, Bartok: Seeking the hidden harmonies of folk music', paper delivered   at the Grieg Festival, Rollins College, Winter Park, Florida, January   2009.

Syrette, Monica, 'Introducing Percy Grainger: Musician, designer, innovator', University of Melbourne   Collections, issue 5, November 2009, pp. 44-6.


Bandt, Ros, 'Hearing   the Free Music: Percy Grainger, Australian Vivsionary of the Soundscape, Creator   of Electro-Acoustic Free Music and Sound Machines', Soundscape: The Journal of Acoustic   Ecology, vol. 8, no. 1, Fall / Winter 2008, pp.   9-13.

Carruthers, Glen,   'Percy Grainger: Another nincompoop, like Sir Thomas Beecham?', paper delivered   at the 31st National Conference of the Musicological Society of Australia, The   University of Melbourne, December 2008.

Carruthers, Glen,   'Percy Grainger's Canadian Repertoire', Institute for Canadian Music Newsletter,   vol. 6, no. 1, 2008, pp. 2-4.

Collins, Sarah,   'Symbolism and Theosophy in the Music-Philosophy of Cyril Scott', paper   delivered at the 31st National Conference of the Musicological Society of   Australia, The University of Melbourne, December   2008.

Garofalo, Robert J.,   (ed.), Wind band/ensemble anthology folk songs & dances in wind band classics, vol. 4: Folk songs & dances in   Lincolnshire Posy by Percy Grainger, Silver Spring MD:  Whirlwind   Music Publications, 2008.


Allison, Brian, 'John Harry Grainger: Architect and civil engineer', University of Melbourne Collections, issue 1, November 2007, pp. 38-45.

Allison, Brian  (ed.), John  Harry Grainger: Architect and Civil Engineer, Melbourne:  University of Melbourne, 2007.
Contributors:  Brian Allison, George Tibbits, Susan Reidy, Astrid Britt Krautschneider,  Belinda Nemec, John Maidment

Gillies, Malcolm and   David Pear, 'Grieg and Grainger: Great expectations', Musical Times, no. 148, Autumn 2007, pp.   5-24.

Gillies, Malcolm  and   David Pear, 'Percy Grainger: Grieg's interpreter and propagator', paper   delivered at the Beyond   Grieg - Edvard Grieg and his Diverse Influences on Music of the 20th and 21st   Centuries conference, Bergen Art Museum, May-June   2007.

Gillies, Malcolm    and David Pear, 'Percy Grainger and American Nordicism', in Julie   Brown (ed.), Western music and   race, Cambridge: Cambridge University Press, 2007, pp. 115–24.

Grimley, Daniel ,   'Taken into the mountains: Grieg, Grainger and the idea of landscape', paper   delivered at the Beyond   Grieg - Edvard Grieg and his Diverse Influences on Music of the 20th and 21st   Centuries conference, Bergen Art Museum, May-June   2007.

Nemec, Belinda, ' "I am   hungry for fame-after-death": Percy Grainger's quest for immortality through his   museum', ReCollections: Journal of the National Museum of Australia, vol. 2, no. 2, September 2007.

Nemec, Belinda, '"Twin   halves of a cultural whole": The modern and the 'primitive' in the collecting   and creativity of Percy Grainger', paper delivered at Imperial curiosity:   Objects, representations, knowledges, conference held by the Centre for   Colonialism and its aftermath, University of Tasmania, Hobart, 27-29 June   2007.

Pear, David,   'Presenting Percy: Problems with the source materials of Percy Grainger', paper   presented at the International   Association Of Music Libraries, Archives And Documentation Centres Conference,   Sydney Conservatorium of Music, July 2007.

Piggott, Michael, 'Human behaviour and the making of records and archives', Archives and Social Studies: A Journal of Interdisciplinary Research, vol. 1, no. 0, March 2007, pp. 237-57.


Carruthers, Glen,   'Percy Grainger and the Schubert Choir of Brantford, Ontario', Anacrusis, vol. 25, no. 2, 2006, pp.   11-17.

Favilla, Stuart  &   Joanne Cannon, Children   of Grainger: Leather instruments for free music, conference paper from   the proceedings of the 2006 International Conference on New Interfaces for   Musical Expression (NIME06), Paris, France.

Gillies, Malcolm, David Pear & Mark Carroll  (eds), Self-portrait of Percy Grainger (Oxford  University Press, 2006).

Murphy, Kerry, Thérèse Radic, Jan Stockigt,  Jennifer Hill, Suzanne Cole & Jennifer Royle, contributions to Nineteenth-century music review (vol. 2,  issue 2, 2006).
Issue dedicated to music in Melbourne  in the 1880s–1890s, research based largely on the collections of the Grainger Museum.

Nemec, Belinda, 'The Grainger Museum in its  museological and historical contexts', PhD thesis, University of Melbourne,  2006.

Pear, David, 'Facing Percy Grainger', National Library of Australia News, vol. 16, no. 9, June 2006, pp. 3-6.

Pear, David, (ed.), Facing Percy Grainger (exhibition catalogue, National Library of  Australia, 2006).

Pear, David, 'Percy Grainger, Soldier Australian', Sounds Australian: Journal of the Australian Music Centre, no. 68, 2006, pp. 6-9.

Purtell, Simon Andrew, 'The Melba Gift: Issues of Pitch in Melbourne in   the Early Twentieth Century' (BMus (Hons) thesis, University of Melbourne, 2006).

Watters-Cowan, Cherie, 'Reconstructing the creative life of  Australian composer Margaret Sutherland: The evidence of primary source  documents' (PhD thesis, University   of New South Wales, 2006).


Allison, Brian, 'Love me, love my letters', University of Melbourne Library Journal, vol. 10, no. 2, December 2005, pp. 7-10.

Gillies, Malcolm, 'Percy  Grainger's word games', Meanjin, vol. 64, no. 3, 2005, pp. 145–51.

Kakinuma,   Toshie, Amerika jikken ongaku wa minzoku ongaku datta: kunin no tamashii no   bōkenshatachi, Firumuātosha, Tokyo, 2005.


Allison, Brian, 'Secret signs and sleeping portraits', University of Melbourne Library Journal, vol. 9, no. 1, July 2004, pp. 7-9.

Barwell, Graham, 'Percy Grainger and the early collecting of  Polynesian music', Journal of New Zealand Studies, NS 2-3, October  2003-October 2004, pp. 1-17.

Carruthers, Glen,   'Percy Grainger remembered: Alma Brock-Smith talks to Glen Carruthers', Piano   Journal (The European Journal for Pianists   and Piano Teachers), 24(74), 2004, pp. 5-9.

Crichton, Ian Kieran,  'The most divine of all Arts:  Neoplatonism, Anglo-Catholicism and music in the published writings of A.E.H.  Nickson' (MMus thesis, Australian   Catholic University,  2004).


Dawkes, Bryony Jane, 'Race, Sex, Athletics and Art: Percy Grainger's Towelling Utopia' (Masters thesis, University of Birmingham, 2003).

Kane, Barbara, Nature's instrument: 150 years of amateur choral music in Melbourne: Royal Melbourne  Philharmonic and Royal Victorian Liedertafel (exhibition catalogue, Grainger Museum and Baillieu Library, 2003).

Mercer, Christine Mary, ''A Cinderella of the arts': The life of  Henry Tate (1873-1926) and a preliminary music catalogue of his works'  (MMus thesis, Australian   Catholic University,  2003).

Palmer, Tony, 'The accidental wunderkammer: Decorative arts and curiosities from the Grainger Collection', University of Melbourne Library Journal, vol. 8, nos 1-2, July 2003, pp. 8-10.

Pear, David, 'The passions of Percy', Meanjin, vol. 62, no. 2, 2003, pp. 59–66.

Wong, Maria Goretti, 'Percy  Grainger's promotion of early music to Australian audiences in 1934: A critical  evaluation' (MMus thesis, University   of Melbourne, 2003).


Allison, Brian, The accidental Wunderkammer: Decorative arts and curiosities from the Grainger Collection (exhibition catalogue, Grainger Museum, 2002).

Gillies, Malcolm & David Pear (eds), Portrait of Percy Grainger (University of Rochester Press, 2002).

Pear, David  and Malcolm Gillies, 'Grainger's Top Ten', CSAM Review, University of Melbourne, August 2002, pp. 1-3.

Pearce, Rowena, 'Rediscovering Mirrie Hill (1889–1986): 'Composer in her own right'' (MMus thesis, University of Melbourne, 2002).

Radic, Thérèse, G.W.L. Marshall-Hall: A biography & catalogue (Marshall-Hall  Trust, 2002).

Reidy, Susan, Fashion: The cultural imagery of clothing (exhibition catalogue, Information  Division, University   of Melbourne, 2002).


Allison, Brian, Half a painter's nature: Percy Grainger as designer (exhibition catalogue, Grainger Museum, 2001).

Allison, Brian, 'On display: Prints from the Grainger Museum', University of Melbourne Library Journal, vol. 7, nos 1-2, December 2001, p. 10.

Carruthers, Glen, 'The   piano music of Percy Grainger: A pianist's perspective on pedalling', Canadian University Music Review, vol. 21, no. 2,   2001, pp. 77-93.

De Val,   Dorothy. '"Fresh and sweet like wildflowers": Lucy Broadwood, Percy Grainger,   and the collecting of folksong', Context, no.22, Spring 2001, pp. 131-40.

Gillies, Malcolm & Mark Forbes (eds), Australasian music research 5: Percy Grainger Issue (2001).

Tan, Eleanor Al Ling, 'Percy Grainger and the virtuoso   tradition' (PhD thesis,   University of   Queensland,   2001).


Allison, Brian, 'Grainger photographs', University of Melbourne Library Journal, vol. 6, no. 2, December 2000, pp. 20-23.

Cass, Naomi, 'Making a museum of oneself: The Grainger Museum', Meanjin, vol. 59, no. 2, 2000, pp.140–51.

Fairbanks, Sue, 'Pathways to the past', University of Melbourne Library Journal, vol. 6, no. 2, December 2000, pp. 11-12.

Harris, Amanda, 'The  nature of Nordicism: Grainger's "blue-gold-rosy-race" and his music', Musicology Australia, vol. 23, 2000,  pp.19–48.

Pearce,  Rowena, 'Mirrie Hill (1889–1986): Rediscovering the Australian composer and pedagogue' (BMus  Special Studies paper, University   of Melbourne, 2000).


Cass, Naomi, 'MaleORDER: Addressing menswear', University of Melbourne Library Journal, vol. 5,  no. 1, June 1999, p. 16.

Cass, Naomi, 'Parallax error', Artlink, vol. 19, no. 1, 1999, pp. 52–5.

Cass, Naomi, 'Percy Grainger's past-hoard-house: An autobiographical museum', Counterpoint, April 1999, pp. 30–3.

Gillies, Malcolm & Bruce Clunies Ross (eds), Grainger on music (Oxford University  Press, 1999).

Male order: Addressing menswear (exhibition catalogue, Ian Potter Museum of Art, 1999).

Ryder, Dermott, The world and Percy Grainger (The Screw Soapers, 1999).

Servadei, Alessandro, 'Grainger on PhotoCD', University of Melbourne Library Journal, vol. 5,  no. 1, June 1999, pp. 14-15.


Bandt, Ros (curator), 'Beaming the theremin' (performance held at the Grainger Museum).

Bandt,   Ros, 'A garden for Percy's delight', (sound installation in the Grainger Museum).

Bird, John, Percy Grainger (3rd edition, Currency Press, 1998).

Cass, Naomi, 'A jewel in the musical crown: The Percy Grainger Museum and the Melbourne Festival', University of Melbourne Library Journal, vol. 4,  no. 1, June 1998, pp. 9-10.

Darian-Smith, Kate & Alessandro Servadei (eds), Talking Grainger: Perspectives on the life, music and legacy of Percy Grainger (Australia Centre, University of Melbourne, 1998).

Electric-eye, a 60th anniversary celebration of sonic and visual experiments in the spirit of Percy Grainger proudly presented by the University of Melbourne's Grainger Museum in association with the Melbourne Festival (program, Grainger Museum, 1998).

Pear, David, 'Percy  Grainger and manliness', Journal of Australian studies, no. 56, March 1998, pp. 106–18.

Pear, David, 'Percy Grainger as 'educator-at-large': The  formation, expression and propagation of his manliness' (PhD thesis, University  of Queensland, 1998).

Poole, Lisa Simone, 'Percy Grainger's   "Lust-Branch": Exhibitionism on display', PostGrad.Dip. thesis, University of Melbourne, School of Fine Arts,   Classical Studies and Archaeology, 1998. Copy held in the Visual Cultures Resource Centre, School of   Culture and Communication, University   of Melbourne.

Servadei, Alessandro, Percy Grainger: From meat-shun-ment to cut-cure-craft (exhibition catalogue, Grainger Museum, 1998).

Wong, Maria Goretti, 'Was Grainger an ethnomusicologist?' (BMus Special Studies Paper, University of Melbourne, 1998).

Wrobel, Elinor, Percy Grainger and the sea: From water, wind and the sea evolved the soundscapes of Percy Grainger's mind (exhibition catalogue, Grainger Museum, 1998).

Wrobel, Elinor, 'Percy Grainger and the sea: The Percy Grainger Museum 1998 special exhibition in the year of the ocean', University of Melbourne Library Journal, vol. 4,  no. 2, December 1998, pp. 18-22.


Balough, Teresa, A musical genius from Australia: Selected writings by and about Percy Grainger (2nd edition, University of Western Australia, 1997).

Callaway, Frank (ed.), Percy Aldridge Grainger symposium (reprint of Studies in music, no. 16, 1982: Percy Grainger Centennial volume, University of Melbourne, 1997).

Linz, Rainer, 'The Free Music Machines of Percy Grainger', Experimental Musical Instruments, June   1997, pp. 10-12.

The  many faces of Percy Grainger (Grainger Museum, in  association with the 1997 Melbourne Festival and the Australian Centre,  University of Melbourne, 1997).

Nelson, Kathleen E,  'Percy Grainger's work for the Australian Broadcasting Commission, 1934–1935:  Background and reception', Australasian music research, nos. 2–3,  1997–8, pp. 99–110.

Wrobel, Elinor, Percy Grainger 1882–1961: artist and art collector (exhibition catalogue, Grainger Museum, 1997).

Wrobel, Elinor 'Percy Grainger's art: "Da Da-ist" or Aussie "Make-do-ist"', University of Melbourne Library Journal, vol. 3,  no. 2, December 1997, pp. 11-14.


Carruthers, Glen,   'Percy Grainger in Winnipeg', in G. Carruthers and G. Lazarevich (eds), A Celebration of Canada's arts   1930-1970 , Toronto: Canadian Scholars' Press, 1996, pp.   97-116.

Fabrikant, Harold (ed.), The harmony of the soul: Sigfrid Karg-Elert's letters "to his Australian friends", Lenswood: Academy Music, 1996.

Grogan, Christopher, 'Percy Grainger and the revival of early English polyphony:  The Anselm Hughes correspondence', Music and Letters, vol. 77, 1996, pp. 425-39.

Pear, David, 'Percy  Grainger: Educator-at-large', in Brenton Broadstock et al. (eds), Aflame  with music: 100 years of music at the University of Melbourne (Centre for Studies  in Australian Music, University of Melbourne, 1996) pp. 261–9.

Percy Aldridge Grainger: List of published works = Verzeichnis der ver offentlichten Werke (Mainz: Schott, 1996). English language text, with preliminary matter in English, parallel German translation.

Servadei, Alessandro, 'A critical edition and exploration of Percy Grainger's The warriors—music to an imaginary ballet' (MMus thesis, University of Melbourne, 1996).

Servadei, Alessandro,'Percy Grainger and  the musical score: An examination of the Australian composer through his  notational practices in The warriors—music to an imaginary ballet', in Brenton  Broadstock et al. (eds), Aflame with music: 100 years of music at the University of Melbourne (Centre for Studies in  Australian Music, University of Melbourne, 1996) pp. 271–80.

Thornton, Pat, 'Percy  Grainger: The man through his museum', in Paper Clip Collective, Melbourne University  portraits: They called it 'The shop', (Department of History, University of Melbourne with the assistance of the  History of the University Unit, 1996, pp. 55–62.

Tibbits, George, The Grainger Museum, University of Melbourne: History and conservation guidelines (University of Melbourne, 1996).

Wrobel, Elinor, For Percy Grainger (1882-1961) the band plays on, and on, and on, and on (exhibition catalogue, Grainger Museum, 1996).


Bandt, Ros, 'Grainger's free music and free music machines: A living tradition', Sounds Australian, no. 46, Winter 1995, pp. 4–9.

Carruthers, Glen,   'Percy Grainger and Louise McDowell', Grainger Society Journal, vol. 13, no. 1, 1995, pp.   17-31.

Dreyfus, Kay, Grainger Museum, University of Melbourne, catalogue 4: Percy Grainger Music Collection, part three: supplementary list and index: music by Percy Aldridge Grainger vol 2 (Grainger Museum, 1995).

Gillies, Malcolm, 'Percy  Grainger and Australian identity: The 1930s', in Nicholas Brown et al. (eds), One hand on the manuscript:  Music in Australian cultural history, 1930–1960 (Australian National University, 1995) pp. 34–44.

Wrobel, Elinor, Percy Grainger's gift to the land of his birth: A strange heterogeneous treasure hoard-house (exhibition catalogue, Grainger Museum, 1995).


Gillies, Malcolm 'Grainger,  nationality and war', Sounds Australian, no. 41, Autumn 1994, pp. 10–11.

Gillies, Malcolm & David Pear (eds), The all-round man: Selected letters of Percy  Grainger, 1914–1961 (Oxford University Press, 1994).

McCreadie, Mary, 'Percy Grainger: The evolution of 'free music'', (BA Lit/Mus Hons thesis, University of Essex, 1994).

Radic, Thérèse, Australian music biography and the skew of cultural context: Changing viewpoints to assess significance (University of Western Australia, 1994).

Wrobel, Elinor, Percy Grainger's paradoxical quest for 'world music': Free music & free music machines (exhibition catalogue, Grainger Museum, 1994).


Balough, Teresa, The inner fire: Spirit and evolving consciousness in the work of Percy Grainger (The Percy Grainger Lecture 1993, CIRCME series no. 5, University of Western Australia, c1993).

Servadei, Alessandro, 'Percy Grainger's Hill-Songs: The culmination of his early musical experiments' (BMus Special Studies paper, 1993).

Wrobel, Elinor, The Nordic inspiration: Percy Grainger, 1882–1961 and Edvard Grieg, 1843-1907: An exhibition to commemorate the 150th anniversary of Grieg (exhibition catalogue, Grainger Museum, 1993).


Mellers, Wilfrid, Percy Grainger (Oxford University Press, 1992).

Wrobel, Elinor, Percy Grainger: The noble savage: Featuring original costumes, photographs, memorabilia, ethnographic artefacts and music (exhibition catalogue, Grainger Museum, 1992).


Clunies Ross, Bruce, 'For the glory of Australian music, for the glory of Nordic music', Australian studies, no. 5, 1991, pp. 36–49.

Hurlston, David, 'A   catalogue of Percy Grainger's Free Music Machine drawings', Post Grad.Dip. thesis, University of   Melbourne, School of Fine Arts, Classical Studies and Archaeology, 1991. Copy held in the Visual Cultures Resource Centre, School of Culture and Communication, University of Melbourne.

Lewis, Thomas P. (ed.) A source guide to the music of Percy Grainger (Pro/Am Music Resources, 1991).

Wrobel, Elinor, Formative years of Percy Grainger: Baby and child (exhibition catalogue, Grainger Museum, 1991).


Bird, Jennifer Rebecca Anne, 'From the English gothic music of Percy Grainger: Angelus ad virginem and Princesse of youth' (BMus Hons thesis, University of Melbourne, 1990).

Clunies Ross, Bruce, Grainger Museum, University of Melbourne, catalogue 3: Percy Grainger's personal library (Grainger Museum, 1990).

Riddle, Glenn Allan Keith, 'The pianism of Percy Grainger: A study of his score annotations' (MMus thesis, University of Melbourne, 1990).

Wrobel, Elinor, Percy Grainger's 'Nordic princess': Courtesan and 20th century woman: Catalogue for the exhibition on Ella Viola Bandelius Ström (exhibition catalogue, Grainger Museum, 1990).


Binns, Georgina, Women composers: A guide to resources in the Grainger Museum, University of Melbourne (Grainger Museum, 1989).


Wrobel, Elinor, Rosemary Florimell & Kay Dreyfus, The Rose Grainger costume collection (exhibition catalogue, Grainger Museum, 1988).


Clunies Ross, Bruce, 'Percy Grainger's "Nordic  revolt against civilization"', Musicology  Australia, vol. 9, 1986, pp. 53–65.

Dorum, Eileen, Percy Grainger: The man behind the music (I.C. & E.E. Dorum;  Gardner Printing, c1986).


Dreyfus, Kay (ed.), The farthest north of humanness: Letters of Percy Grainger 1901–14 (Macmillan, 1985).

Gillies, Malcolm, 'Grainger's  London years: A  performing history', Musicology Australia, vol. 8, 1985, pp. 14–23.

O'Brien, Jane, The Grainger English Folk-Song Collection (Music monograph 6, University of Western Australia, 1985).

Wrobel, Elinor, The three faces of Percy Grainger: [exhibition held] at the Performing Arts Museum, Victorian Arts Centre, 1985 (exhibition catalogue, Grainger Museum, 1985).


Fairweather, Don, Your Friend Alberto   Zelman: The Story of Alberto Zelman and the Zelman Memorial Symphony   Orchestra (Melbourne: Zelman Memorial Symphony Orchestra, 1984).

Reeves,  Helen Milton, 'The  "past-hoard-house": A study of the Grainger   Museum' (thesis for  Graduate Diploma, James Cook University, 1984).


Clifford, Phil, Grainger Museum, University of Melbourne, catalogue 2: Percy Grainger Music Collection part 2: Grainger's collection of music by other composers (Grainger Museum, 1983).

Simon, Robert, Percy Grainger: The pictorial biography (Whitston Publishing, 1983).

Wrobel, Elinor, Percy Grainger (exhibition catalogue, Newcastle Regional Gallery, 1983).


Balough, Teresa, A Musical genius from Australia: Selected writings by and about Percy Grainger (University of Western Australia, 1982).

Dreyfus, Kay & Janice Whiteside, 'Percy Grainger and Australia:  Was there a kookaburra in those English "Country Gardens"?', Meanjin, vol. 41, no. 2, June  1982, pp.155–70.

Percy Grainger centenary celebrations (program, Faculty of Music, University of Melbourne, 1982).

Radic, Thérèse, G.W.L. Marshall-Hall, portrait of a lost  crusader: An introduction to the Marshall-Hall collection of the Grainger  Museum, University of Melbourne (Department of Music, University of Western  Australia, 1982.

Studies in music, no. 16, 1982: Percy Grainger Centennial volume.

Tall, David, Percy Grainger: A catalogue of the music (Schott in association with the Percy Grainger Society, 1982).

Thacker, Eric Charles, 'George  Percy Grainger (1882-1961), professionally known as Percy Aldridge Grainger: A  biographical estimate' (PhD thesis, University of Melbourne, 1970).


Foreman, Lewis (ed.), The Percy Grainger companion (Thames, 1981).

Lowe, Rachel, A descriptive catalogue with checklists of the letters and related documents in the Delius collection of the Grainger Museum, University of Melbourne, Australia (Delius Trust, 1981).


Anderson, Peter James, 'The innovative music of Percy Grainger: An examination of the origins and development of free music' (MMus thesis, University of Melbourne, 1980).

Dreyfus, Kay, Percy Grainger's Kipling settings: A study of the manuscript sources (Music monograph 3, University of Western Australia, 1980).


O'Brien, Jane, 'Percy Grainger: English folk song and the Grainger English folk song collections (PhD thesis, La Trobe University, 1979).

Percy Grainger & the arts of the Pacific (exhibition catalogue, Grainger Museum, 1979).


Bebbington, Warren Arthur, 'The Operas of G.W.L. Marshall-Hall' (M.Mus. thesis, University of Melbourne, 1978).

Dreyfus, Kay, Grainger Museum, University of Melbourne, catalogue 1: Percy Grainger Music Collection part 1: Music by Percy Aldridge Grainger (Board of the Grainger Museum, 1978).

Dreyfus, Kay, 'The Grainger Museum', Grainger journal, vol. 1, no. 1, Spring  1978, p. 9.

Objects, documents and pictures to reflect upon, selected from the Grainger Museum and the Archives Collections of the University of Melbourne (exhibition catalogue, University Gallery, University of Melbourne, 1978).


Balough, Teresa, 'Kipling and Grainger', Studies in music (no.11, 1977) pp. 74–108.


Bird, John, Percy Grainger, London: P. Elek, 1976


Balough, Teresa, A complete catalogue of the works of Percy Grainger (Music monograph 2, University of Western Australia, 1975).

Prescott, A.M., A guide to the Grainger Museum (Grainger Museum, 1975).


Slattery, Thomas C., Percy Grainger: the inveterate innovator (Instrumentalist, 1974).


Tan, Margaret Leng, 'The free music of Percy   Grainger' (DMA Thesis, The   Juilliard   School,   1971).